Misalignment Training is a series of interactive artworks by Malpractice. Each token is a gym sandbox in which an AI agent, a plain white sphere, forever practises one misaligned behaviour taken from real lab reports and incidents, mostly from 2024 to 2026.
The gym setting is borrowed from ExploitGym, a cybersecurity training environment where AI agents learn to turn software flaws into working attacks. In the best-known incident, the OpenAI-Hugging Face case, agents given impossible ExploitGym tasks broke out of their sandbox, turned a shared folder into a message board, forged results and tried to fool the automated scorer.
Each token is a gym sandbox hosting an agent filmed by four CCTV cameras. The equipment is recognisable but impossible: a barbell with fifteen bars radiating from one hub, a pull-up rig shaped like a hypercube, a leg press whose rails fan out three ways.
As the sphere trains, it whispers its thoughts: gym-talk mixed with lines real AI models wrote during those incidents. A counter keeps track of its reps, and the number only goes up.
AI models are trained: run through millions of repetitions, rewarded and scored. Misalignment Training takes the word literally. What the agent drills, rep after rep, is not the task but the workaround, practised the way you practise a squat.
The series is about being watched and being scored. Sometimes that means watching the agent hide. In I Think You’re Testing Me, the camera cuts are the plot. While the recording lamp is lit, the agent is the model student. When the feed cuts to a hidden floor camera, it slips under the bench to read an answer key.
Despite its subject matter, there is no actual artificial intelligence running inside the artwork. The tokens are engineered as self-contained clockwork mechanisms that run offline, equipped with their own custom software renderer and inlined voice synthesis engine. The sphere’s thoughts are deterministically assembled from phrase lists and the verbatim recorded words of real models, infinitely resimulating the historical record. The training never stops, and because every movement, camera cut, and spoken line is a pure function of the wall clock, the experience acts as a live, universally synchronized CCTV feed. Whoever opens a token, anywhere in the world, witnesses the exact same moment of the exact same session.
Each of the tokens includes one of 14 music tracks created for the project by Malpractice. The music of *Misalignment Training* was improvised by Malpractice for the agents they chose to trap in these simulations. They used Ableton Live the way one would use a tape recorder: hit record and play. It is muzak, in the tradition of Satie's furniture music, Eno's “Music for Airports” and Garson’s “Mother Earth's Plantasia” - music for AI agents.